This story starts with a key question: Given that great composers across history dedicated their lives to learning, perfecting, and inventing our expressive language of music, and took such great care in shaping their expressive intentions into each moment of their musical compositions, then what is it that we should look for in music to figure out a composer’s expressive intent? Baroque composer Francois Couperin shared this precise concern in saying,
I am always surprised, after the pains I have taken to indicate the ornaments appropriate to my pieces…to hear persons who have learnt them without heeding my instructions…Therefore I declare that my pieces must be performed just as I have written them.[i]
The question is how to identify, sort out, and translate composers’ intentions back into expressive music arrangements, editions, rehearsals, performances, and audience experiences. In search of an answer, we journey through various ways expression in music has been described and defined. Continue reading